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Synopsis: Recap: Agent Dangerous has been dispatched to places unknown with instructions to recover Jasmine W from the evil clutches of Dr. Sharkray, a deranged nuclear physicist. Dr. Sharkray was working for Jasmine's father at the CIA where he developed a laser that could control all the global satellites from anywhere in the world. At an instant's notice, the CIA, or Dr. Sharkray, could simply turn off the global communication infrastructure causing world wide panic and mayhem. After developing the laser, Dr. Sharkray disappeared and was believed to have been recruited by V.I.L.E (Villain's International League of Evil). Intel secured from Wikileaks sources confirms Jasmine is being held somewhere along the horn of Africa on a coastal compound owned by a company whose major stockholder is, in fact, Dr. Sharkray.

Spy satellites have located Agent Dangerous at the Sharkray compound. It has been reported that Agent Dangerous has taken on some sort of disguise and is going to attempt to infiltrate the Sharkray defense web. Click play to watch the satellite feed...
Models: Jasmine W

Duration: 20 min 54 s
Resolution: 720 x 1 280
Format: MPEG-4
Size: 319 MiB
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Synopsis: Nick Wolanski, Matt Ice, Qweedo Climber, and Andrej Lupin - the four furniture deliverymen who give "The Movers" its title - arrive at a stately home and get to work as lady of the house, Linda Sweet, looks on. When Wolanski enters with a lamp in hand Sweet guides him upstairs and into a bedroom. After closing the door behind them Sweet turns up the heat and propositions him. Working man Wolanski resists at first, but the wealthy Sweet is used to getting what she wants and won't take no for an answer, and they soon come together in a heated embrace. Once Nick has positioned a mattress on its platform the action begins to unfold with Sweet in the dominant role. After sucking him to stiffness Sweet feeds Wolanski a mouthful of her smooth pussy, and then she mounts him in a sixty-nine during which she vigorously grinds and bounces her sex against his hungry mouth and lapping tongue. After Sweet has enjoyed her fill of oral - both giving and getting - she climbs astride Nick for a vigorous ride in the cowgirl position before moving onto all fours, and then ending up on her back, stiletto heels raised toward the ceiling as Nick piston-pounds the red-hot redhead to orgasmic ecstasy. Moments later Wolanski can no longer hold back, so he frees his cock from the velvet grip of Sweet's sex and coats her clit and slit with oozing cream. Satisfied by a job well done, Sweet dismisses Wolanski with a wave of her hand and he grabs his clothes and exits. Hot spontaneous sex with a beautiful and horny rich lady? It's just another day at the office for "The Movers."
Models: Linda Sweet

Duration: 25 min 28 s
Resolution: 720 x 1 280
Format: MPEG-4
Size: 733 MiB
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Synopsis: Marica is from Japan. She knows a hand full of words in English and that's probably a conservative estimate. When I met her I was told she was a fan of my work and of SexArt. Although we could not talk to each other, there was something in her eyes and in her smile that said she was right for us, and I was right.

This is a rare opportunity to see Marica Hase in the United States, where her pussy is not blocked out of the screen and her spirit is set free. Marica likes American boys very much, and when she met Michael Vegas I could tell right away she wanted him. Watch as she repeatedly bursts out in pleasure with Michael inside her in, Mizu.
Models: Marica Hase

Duration: 18 min 39 s
Resolution: 720 x 1 280
Format: MPEG-4
Size: 285 MiB
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Synopsis: Sapphira has been looking forward to this night with eager anticipation. She's made sure everything is absolutely perfect. She's styled her raven hair and artfully applied her make-up. Her lingerie - a sheer white top over white panties - strikes an irresistible balance between angel and vixen. The lights are low in the bedroom. She adds to the romantic atmosphere by lighting a collection of candles, bathing the room in soft, gently flickering, warmth. Every detail has been attended to, she's so ready for this night to begin, but there's an unexplained delay. She bides her time, checks her watch, tries to relax her restless mind. But ultimately the star of "I Can't Wait" gives in to her rising desires. She toys with her breasts, teasing her erect nipples. She strokes her body, her hands drawing closer and closer to her crotch, and finally, she yields, giving in completely to her lust. Her panties come off, followed by her top, she's somewhat tentative at first, but soon she's pleasuring herself with unrestrained abandon. Legs spread wide, her fingers a blur of activity, flesh glistening - orgasm is inevitable, and when it occurs it is sweet, strong, overwhelming. Spent and satisfied, Sapphira relaxes. Then, suddenly, a sound outside the door. She rises and "I Can't Wait" ends. But it's really only the beginning.
Models: Sapphira A

Duration: 13 min 53 s
Resolution: 720 x 1 280
Format: MPEG-4
Size: 410 MiB
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Synopsis: An elevator is the device that Andrej Lupin cleverly employs in this stylish and scorching foray into lesbian erotica. Margot A (billed here as Eileen Sue) steps into the elevator and presses the button for her floor. A moment later Whitney Conroy joins her. They smile in greeting, as elevator riders routinely do. But when Conroy accidentally bumps into Margot the routine is abandoned. Sparks of attraction fly. And Conroy boldly plants a kiss on Margot's mouth. Without a care for where the elevator is going, or when it may stop, or who might unexpectedly join them, the seduction gains momentum. Before long Conroy is on her knees licking and sucking hungrily on Margot's pussy. Bracing herself against the walls of the confined space and grasping at a grab handle, Margot is soon rocked by an intense orgasm. Barely pausing to catch her breath, the couple swap roles and positions. Now Margot is squatting before Whitney, licking, fingering, stroking, and sucking her sex with ravenous urgency. Wracked by the power of her climax, Conroy collapses to the floor, spent and satisfied. Then, realizing the precarious vulnerability of their circumstances, the two women stand, straighten their disheveled clothing, smooth their hair, and share a kiss of mutual gratitude and farewell. It's here that the action of "Lift" concludes, but Lupin utilizes the unique nature of his set to amusing effect during the end credits. The director - carrying his director's chair - gets into the elevator with the two stars who continue to make out in the background. When he gets off, producer Ariel Piper Fawn - juggling a laptop, cell phone, and other tools of her trade - gets on. As it moves from floor to floor the entire crew, one at a time, step in and out of the elevator ending the impressively erotic "Lift" on a high and entertaining note.
Models: Margot A

Duration: 19 min 18 s
Resolution: 720 x 1 280
Format: MPEG-4
Size: 564 MiB
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Synopsis: The Metart Network's multi-talented supermodel/actress/producer, Ariel Piper Fawn, wanders along a picturesque stretch of black sand beach as Andrej Lupin's latest film begins. An object at the water's edge catches her eye - a bottle containing a handwritten note. She begins reading the note, and her spoken narration weaves in and out of "Message in a Bottle" as the story unfolds. The message was written by Mima A, and in it she lovingly describes the deep, passionate romance she shares with her lover, Thomas Lee. While time is spent with Mima as she writes her letter, and with Ariel Piper Fawn, as she reads it, the bulk of the film is devoted to an extended session of exceptionally passionate and sincere lovemaking featuring Mima A and Thomas Lee. The voice-over adds a fresh dimension and depth to a scene that is genuinely and enthusiastically performed and artfully and sensitively captured by Lupin and his team of skilled cinematic artisans. The power of love, the bond of romance, and the limitless ecstasy of passionate sexual union all await those who view "Message in a Bottle."
Models: Ariel Piper Fawn

Duration: 22 min 7 s
Resolution: 720 x 1 280
Format: MPEG-4
Size: 653 MiB
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Synopsis: "Symphony" marks a significant milestone in the aesthetic evolution of director Andrej Lupin. From the first frame to the last this Sapphic pas de deux is intensely intimate and relentlessly romantic. The classical flavor of the soundtrack woven through the film sets the tone, and the masterful cinematography, moving close for painterly, evocative facial close-ups, or gliding overhead for an angel's view of an exquisitely beautiful amorous interlude, enchants the eye and inspires the imagination. But it's the film's two stars - Suzie Carina and Iwia A - who breathe such sincerity, passion, and natural beauty into Lupin's creation. There is no story, no dialog, no narrative, and none is needed. We don't know what brought this couple together, but we immediately understand the power of their connection and their overwhelming desire for one another. "Symphony" unfolds gradually. As Suzie and Iwia kiss and caress we sense that they're savoring every moment, every touch, every glance, every smile. And, following the structure of a work of orchestral music, there is a prelude, followed by two movements, and a brief and exceptionally beautiful coda. Suzie takes great care as she makes love to Iwia, and the pleasure she takes is as great as the pleasure she gives. In the second movement Iwia is every bit as devoted to giving her lover pleasure, and the result is orgasmic, to be sure, but also profoundly affectionate and tender. Passionate, sincere, and beautiful in every aspect, "Symphony" is a modern classic of artful, stylish, and romantic erotica.
Models: Iwia A

Duration: 27 min 22 s
Resolution: 720 x 1 280
Format: MPEG-4
Size: 788 MiB
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Synopsis: Luna has appeared in two previous Sexart productions - "Just the Beginning" and "Sound of Silence" - both solo masturbation films, and both directed by Alis Locanta. In his latest creation, "Approaching," Locanta once more casts Luna, but this time she costars with Whitney Conroy. Rather than a straight-ahead, conventional girl/girl offering, "Approaching" boasts a non-linear narrative, overtones of kink, and complex, fluid, interpersonal relationships. As it opens, Whitney Conroy faces the camera, her face wearing an expression of anticipation and ambiguity. Luna approaches, from behind, and fastens a red leather collar around her neck setting up a mistress/servant dynamic. And yet, defying expectation, even when Luna has Whitney on a leash, it is the former who services the latter. Indeed, when the setting and costumes change, it is Luna who is pleasuring Whitney. And pleasure she does! Even while cross-cutting from one location to another, Luna brings Whitney to several increasingly powerful orgasms - Luna may hold the leash, but Whitney reaps the benefits. It's only in the closing moments of the film, under the end credits in fact, that Luna, under Whitney's approving gaze, furiously frigs herself to ecstasy. Approach "Approaching" with an open mind and be prepared for a beautiful, thought provoking, and thrilling lesbian experience.
Models: Luna

Duration: 17 min 21 s
Resolution: 720 x 1 280
Format: MPEG-4
Size: 512 MiB
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Synopsis: El Matador. Spanish for The Killer. The killer of the beast. The killer of the hearts and minds of men who admire bravery in it's raw form. One man stands alone against the angry rage of the mature, 3000 pound bull. Its horns like sharpened metal spears, its breath like molten lava, its eyes transfixed on The Killer, El Matador. With force of a speeding truck, the raging beast throws its spears with the full weight of its enormous body... Yet the killer, El Matador, stands unafraid, unmoving. With no protection, nothing to safeguard his body, he stands against the raging beast with no more than a red cloth to inflame the beast's anger, and pure human courage.

It is no wonder that Presley Hart must have this man, this killer, El Matador. She yearns for him, for the touch of his rugged body, the smell of his sweet sweat against her soft, white perfumed skin. The very thought of him makes her flow with sexual desire, and when he arrives to her bed, he takes her as only he could, this killer, El Matador.
Models: Presley Hart

Duration: 23 min 52 s
Resolution: 720 x 1 280
Format: MPEG-4
Size: 364 MiB
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Synopsis: "Happily ever after" provides the optimistic ending for fables and fairy tales. But in real life sadness is often unavoidable. Bad things happen to good people. Loving couples fall out of love. Arguments erupt. Vows are broken, and along with them, hearts. Andrej Lupin has chosen a gray day in Prague to tell the story of two women - Vanessa Decker and Carrie A - who have both reached turning points in their personal lives. Heartbroken and despondent, they contemplate the sadness of their circumstance, and consider a future that is anything but clear. And then fate intervenes. They meet. The commiserate. They bond. And in each other they find a way forward, a way to put the past in its proper place, a way to rediscover themselves while discovering each other. Drawn together by common experience and a desire for change, they find a private place where they can act spontaneously, without shame, and reclaim their right to experience the joy of intimacy anew. Vanessa is the more assertive of the two, at least in the beginning. After kissing with rapidly growing passion she strips Carrie, bends her over, and strokes her pussy before fingering her to a powerfully cathartic climax. Even as her own ecstasy subsides Carrie eagerly begins pleasuring Vanessa using her mouth and two plunging fingers to probe and pump her impromptu partner to a much needed climax. Glowing with shared pleasure the two lovers smile as if for the first time - love, lust, pleasure and hope are all around them and the future is suddenly a bright and inviting prospect. As "Broken" so skillfully demonstrates, when one thing breaks, the best remedy is often to start something new.
Models: Carrie A

Duration: 20 min 49 s
Resolution: 720 x 1 280
Format: MPEG-4
Size: 606 MiB
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